They warned me of monsters ---
Of beasts with claws and teeth.
Of gods.
But no one warned me of love.
Real love.
They said love was light.
But real love...
It lives in shadow first.
It is the ache you fear will split you wide open ---
And wound you in ways you may never recover.
And still... it draws you in.
Irresistible.
Like a spell. Or a curse.
There is no pill.
There is no cure.
You can try to avoid it ---
But either way, it will cost you.
Go toward it, is my advice.
You are pulled there for a reason.
But I had to die into life
To be able to offer you that advice.
Before the sacred can rise,
You must break the illusions of self.
Before the soul remembers itself,
You must see what lies beneath the mask.
Oh, we all have one.
Trust me on that.
It is the fracture that opens the veil ---
So the gods within can awaken.
I was untouched ---
Not by strength,
But by expectation.
By myth.
By the vow they placed in me
Before I even learned to speak.
I had no choice.
They named me virgin.
Pure. Distant. Divine.
But they never asked what I wanted ---
Only what I must be.
And then came Orion.
Wild. Mortal. Unruly. Handsome.
He did not bow.
He did not flinch.
But he feared me.
Not for who I was ---
But for what he saw in himself
When he looked at me.
And I feared him the same.
In him ---
I met the mirror
Of all I was told never to become:
Desire.
Chaos.
Heat.
Hunger.
He ran toward the world.
I ran from it.
And yet...
We wanted each other.
I did not lose him all at once.
I lost him in moments.
Like I had done with myself ---
In the spaces between my lies.
My silence.
My mask.
In the parts of me I dared not name.
Dared not visit.
Dared not love.
This is the story of Orion ---
Hunter. Lover. Flame.
Constellation of the sky.
And me ---
Artemis.
Goddess. Huntress. Shadow. Seeker.
This is not a story of endings.
It is a story of return.
A tale of death... and resurrection.
Of love that refused to die ---
even when I thought I'd killed it.
A tale of healing
that begins only in the dark ---
In our shadow.
When we surrender.
Undo the belt.
Let the stars realign as they will.
Let us begin.
This opening number establishes the cosmic forces at play and introduces our protagonists locked in divine tension. The gods watch from above, amused by mortal pride, while Orion and Artemis circle each other—attracted yet afraid. The hunt has begun.
"Trapped beneath the weight of time,
The Queen who walks where mortals die.
A goddess once, a captive turned,
She learned the truth where shadows burn."
"They think they know love, these mortals...
But love demands a sacrifice — death.
The death of the old self.
Life, death, and rebirth."
"My job here is done. Let the real hunt begin."
"And now, they shall feel what they both fear... love without control."
"You are not afraid of the fall, Artemis...
You are afraid of what will rise in you once you've let go.
This hunger? This heat?
It's not weakness — it's divine.
You were not made to be untouched.
You were made to feel.
To tremble.
To burn.
To love."
"There you are..."
"There you are."
"Vanity's Altar" is a pivotal moment of psychological reckoning. It's not about beauty—it's about worth. Not about mirrors—it's about masks. Here, Artemis and Orion confront the illusions they've built around who they think they must be.
This is the stillness after the storm — the breath between desire and destruction. Following "I Must Confess," this moment strips away bravado and bares only truth. Not conflict, but surrender. Not loss, but longing. It's a mythic haunting: two divine souls recognising each other across lifetimes... but knowing they cannot stay.
"She would give herself to a mortal?
A man of the earth, ruled by lust?
A hunter who cannot even master his own desire?"
"This must end.
My sister — Artemis — forgets what she is.
A goddess. Divine. Untouchable."
"One arrow, sister. That's all it will take.
And the hunt will be over.
This is the last time you will love."
"Apollo...brother. I didn't expect to see you here"
"Ah, Artemis. Help me.
Do you see it, sister? That beast out there, in the ocean...
I bet you can hit it."
No!
No, no, no, no... what have I done?
What have I done?
Orion — look at me. Please!
I didn't know. I didn't know it was you...
Of course you didn't...
You're the goddess of the hunt...
You were always going to shoot...
"One star remains... Artemis...
It is yours to carry."
"There was once a star in his heart — brilliant, wild, and red...
But now it flickers... not in death, but in offering...it is
Yours."
Set in a vast celestial space, this scene explores the emotional terrain between grief and transcendence, life and death, myth and memory. As the scene unfolds, we witness a powerful mythic moment: Orion, the hunter, gifts a star to Artemis. It's more than a token—it's a gesture of love, of eternal connection, a celestial offering that binds them across time and space.
"I thought I was protecting you.
I thought I knew what was best — because I couldn't bear to lose you.
But my fear...
My fear wore the mask of love.
And that mask turned me against my own twin —
Against you... the other half of myself. We were forged together in the same womb."
"You weren't just my brother.
You were my twin — my mirror.
But you saw my love as weakness.
As betrayal of the vow the gods placed on me before I ever had a choice."
This scene does three critical things: prepares Artemis for the Underworld, strips Orion of his pride before death, and symbolises the collapse of ego. It's a shared rupture — a necessary breaking open so something real can rise. The pool represents a liminal threshold between life and afterlife, the unconscious and dreamscape.
"Artemis... let go."
"I don't know how."
"You do. Look at me."
"You are free now, Artemis."
"Love does not end. It transforms.
Take it. You have earned it."
"You were always a goddess —
but now, the divine lives fully in you.
Wear your grief like a crown.
Your old self has died.
And from that death — you rise.
Restored. Healed. Resurrected.
At peace with yourself... with love... and with death."
Artemis stands in silhouette against Orion's shining constellation. The audience knows... she will never be alone. The stars pulse once. This is the future of mythic theatre - a sacred ritual, a psychological awakening, a theatrical revolution. It belongs in the open air, beneath the heavens—where destiny, love, and the echoes of the gods can be heard in every note.
I Undid Orion's Belt is more than a theatrical production—it is an odyssey of love, fate, and transformation. A mythological rock opera that fuses the grandeur of Greek tragedy with the raw intensity of orchestral rock, it stands at the crossroads of the ancient and the modern, the celestial and the deeply human.
A story written in the stars—where gods conspire, lovers resist, and fate plays its cruel hand. Against a vast cosmic backdrop, its ethereal choral arrangements and haunting melodies ensure that the audience does not merely watch—it feels, endures, transcends, and transforms alongside its characters.
At its heart, this is a love story—but not one of simple romance. It is about control, fear, surrender, and rebirth. Orion and Artemis are not just lovers; they are forces of nature, locked in an inescapable push-and-pull that mirrors the eternal struggle between ego and transformation.
The story asks:
The answer, as with all great tragedies, is devastating and beautiful.
More than a myth, this piece explores the human psyche, the descent into the unconscious, and the reconciliation of self. Each character embodies a psychological archetype:
The heartbeat of the production is its music, which does not simply support the narrative—it drives it, haunts it, shapes it.
Why This Work Deserves a Grand Stage:
This is not just a musical—it is a sacred ritual. A psychological awakening. A theatrical revolution. It belongs in the open air, beneath the heavens—where destiny, love, and the echoes of the gods can be heard in every note.
This is the future of mythic theatre.
This is not just a musical—it is a soul experience. It dares to ask profound questions about love, fate, and identity, blending myth, psychology, and music into a production that is both visually breathtaking and emotionally devastating.
Through its celestial themes, ancient storytelling, and deeply personal lyrics, I Undid Orion's Belt ensures that audiences don't simply watch—they feel, endure, and carry the experience long after the final note fades.
This is the kind of work that leaves audiences breathless. Shaken. Transformed. A tragedy sung under the stars, whispered by the gods themselves.
Michaela Foster Marsh is an acclaimed musician with three albums to her credit whose work has appeared in television and film, including Dawson’s Creek and The Matthew Sheppard Story.
copyright © 2025 Michaela Foster Marsh